Editorial Commissions
The Atlantic (2025)
Art Director Paul Spella
Woven Portrait of Vice President JD Vance (2025)
For The Atlantic
Three photographs printed on translucent plasticized paper, hand cut into 10mm-wide strips and physically triaxial woven together, backlit
23¼ x 23½ in; 59.1 x 59.7 cm
The New Yorker (2025)
Art Director Supriya Kalidas
Woven Portrait of Saint Mary Magdalene (after Carlo Marochetti's The Ecstasy of Mary Magdalene, 1841, L'église Sainte-Marie-Madeleine, Paris) (2025)
For The New Yorker Magazine
Three photographs converted to red, green, and blue tonal ranges respectively, printed on opalescent polyester film, hand cut into 12mm-wide strips and physically triaxial woven together, backlit
15¾ x 14¾ in; 39.9 x 37.5 cm
The New York Times Magazine (2024)
Deputy Art Director Annie Jen
Woven Portrait of Sean “Diddy” Combs, Version 2 (2024)
For The New York Times Magazine
Three photographs printed on plasticized paper, hand cut into 10mm-wide strips, and physically triaxial woven together, backlit
24¾ x 22⅜ x ⅛ in; 62.9 x 56.8 x 0.3 cm
POLITICO Europe (2024)
Deputy Production Editor Arnau Busquets Guàrdia
Woven Portrait of Ursula von der Leyen, President of the European Commission (2024)
For POLITICO Europe
Three photographs converted into cyan, magenta, and yellow tonal ranges, printed on plasticized paper, and physically cut and woven together by hand, backlit with 4000K light
24⅛ x 23½ x ⅛ in; 61.3 x 59.7 x 0.3 cm
National Geographic (2021–2022)
Editorial Lead Nicole Thompson
Woven Portrait of Julius Caesar (after Andrea di Pietro di Marco Ferrucci's Julius Caesar, ca. 1512–14, Metropolitan Museum of Art, New York) Version 2 (2021)
For National Geographic Magazine
Three photographs converted to red, green, and blue tonal ranges, printed on translucent vellum, physically cut and woven together by hand, backlit with 5000K light
24⅞ x 21½ x ⅛ in; 63.2 x 54.6 x 0.3 cm
UCSF Magazine (2021–2022)
Design Director Audrey Feely
Long-Haul Covid Woven Portrait (Frontline worker, researcher, civilian) (2021)
For UCSF Magazine
Three photographs printed on translucent vellum, physically cut and woven together by hand, backlit with 5000K light
25⅛ x 21½ x ⅛ in; 63.8 x 54.6 x 0.3 cm
NIAID Foursquare (2021)
For UCSF Magazine
Four c-prints cut into fourths and mutually collaged by hand, on paper
20 x 15 in; 50.8 x 38.1 cm
The California Sunday Magazine (2019)
Creative Director Leo Jung
Kamala Harris Opener (2019)
For California Sunday Magazine
Photographic prints on archival translucent vellum, physically cut and woven together by hand
14⅛ x 11 x ⅛ in; 35.9 x 27.9 x 0.3 cm
Kamala Harris with Flag (2019)
For California Sunday Magazine
Three photographic prints on archival translucent vellum, physically cut and woven together by hand
11⅝ x 14¼ x ⅛ in; 29.5 x 36.2 x 0.3 cm
Kamala Harris Signs (2019)
For California Sunday Magazine
Three photographic prints on archival translucent vellum, physically cut and woven together by hand
11½ x 14⅛ x ⅛ in; 29.2 x 35.9 x 0.3 cm
Kamala Harris foursquare version 2 (2019)
For California Sunday Magazine
Four C-prints cut into fourths, mutually collaged on paper
10 x 14¼ in; 25.4 x 36.2 cm
Brooklyn Academy of Music (BAM) (2014–2015)
BAM Dance Production; BAM Next Wave Art; Seán Curran Company
Seán II (2014)
For BAM Next Wave
Photographic prints on archival vellum, physically woven together
40 x 30¼ x ¼ in; 101.5 x 77 x 0.5 cm
Seán Curran Company Dream’d in a Dream
For BAM Next Wave
Seán Curran Company Dream’d in a Dream
For BAM Next Wave
